With my loyal "training partners": the coconut trees around my house
1st Step: Gada-Gada "Pacang"
It was a very busy month for me. So I decided to have my little vacation to my village. Couple of days indeed helped me to wipe off all of the fatigue and stress due to the professional work. It has been a while I want to talk about the most popular art of "Gada-Gada". Gada-Gada is a term used in Silat Seni Gayong that signifies a weapon. That weapon is a chain with (about one meter and half to 3 meters long), and the metal ball (ping-pong or tennis ball size) at both of it's extremities. This art of Gada-Gada is one of the difficult weapon to be mastered. In Silat Seni Gayong, before one disciple can learn the art of Gada-Gada, he must undergo various training of different weapons as a "pre-requisite" as to facilitate the student when learning the Gada-Gada since it could be fatal if manipulated in a wrong way.The Gada-Gada itself has many forms. They also have different names, describing of their shapes and techniques. Cokmar and Belantan, in the other hand were the first form before they evolved with the ropes, Cindai (cloths) and chain becoming the Gada-Gada. Before practicing the Gada-Gada Perang (this one is the most dreadful weapon ever! ;)), one must learn first the art of Cindai (especially Seni Tali : the art of Rope, and Seni Mayang Gesit: the art of throwing weapons to the enemy). I was initiated by my master with the simplest form of Gada-Gada, which named as "Pacang", believed came from the "pacang" used by the villagers to tie their cows somewhere. This type of Gada-Gada also represent the Arabic character of "Alif", as the first alphabet one to learn the language. It is one of the philosophy of the art of Gada-Gada in Silat Seni Gayong.
To learn a Gada-Gada, it can take just couple of hours. To master it, days and weeks. And years to be a very good at. But as the old Master said, 3 levels:
"layang", "belit", and "libas".
The art of Gada-Gada exists also in the other culture and civilization like in Europe, China, India, and throughout all over Nusantara. The Gada-Gada, as I talked before, relates a lot with the Cokmar, Belantan, Cindai and last but not least, the Cemeti. Cemeti is one of the weapon that had been used widely in Malay civilization. And for the Gurulatihs who had learned this art, practicing until perfection is the challenge. I do hope that one day, those who had mastered the art will gather, discuss, knowledge sharing and preserved this rare art among the Anak Gayong. It is a lost if the young Gurulatihs don't make lot of effort to learn it with the old Masters who are still alive. And for me, I am in my way of being a "murid".......